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the weekly outdoor productions and studying mime with Ronnie Davis. Billy and Emmett would get together and talk about the evolving phenomenon in the Haight-Ashbury, until the wee hours of nearly every morning. Other members of the troupe would sometimes take part in these discussions, particularly Coyote and the Hun. Coyote described himself in a book as having grown up with very smart, wealthy parents in Englewood, New Jersey. He was a very imaginative but fat child who only learned to like his body after having graduated from Grinnell College and then dropping out of graduate school and beginning to work at the Mime Troupe, studying with Davis. At twenty-five, he was no longer fat, but was tall and handsome. He had an affinity toward Zen discipline and a scholarly, intelligent mind, due in part to the emphasis his family put on education. He was performing the lead role of Pantalone, an eighteenth-century Jewish-Italian shylock in the current commedia dell'arte production. He played the part well.

The Hun got his name because some believed he was his own horde, while others felt he looked like a Mongolian Iago. He also profiled himself in that same book. Born in New York City in ~937, he spent his adolescence as a car-hiker in the potpourri city of Miami which, he would point out, was only built in 927 and represented the Pow! Pow! naked power of the South. He was a child genius with an I.Q. of 160 and a Quiz Kid, but in high school he hung around with "fourteen-fifteen-year-old hillbilly boys that used to stand in Levi's and boots, with thunderbird belts and kind of like denim or, y'know, a shirt with whaddaya-call-it, a Western shirt, pearl buttons on the things, drunk, drunk, and going like this and looking like Montgomery Clift in that flick he made with Arthur Miller's script and lookin' like that, y'know, with brass knuckles." He picked up a political orientation from his father, an H. G. Wells Outline of History libertarian, who thought the Russians were good people. He went to the University of Florida on a work scholarship, got a degree, concentrating in literature, and after getting over the New York blues-life mystique, drifted to San Francisco to meet the older members of the beat generation. He joined the Mime Troupe as a writer-director and was in the process of directing a one-act play about police harassment and brutality called Search and Seizure, which he wrote from the actors' improvisations.

These discussions that Billy, Emmett, and the others had, dealt with the freedom being assumed by young people in Haight-Ashbury and throughout the world. They agreed that the ultimate goal [end page 236]